E-mail: schneckloth@gmail.com
Website: www.saraschneckloth.com
Education
Master of Fine Arts University of Wisconsin-Madison, Painting and Drawing, 2006.
Master of
Arts
Bachelor of Arts Northwestern University, Political Science, 1992.
Professional Positions
2007 - present
Assistant Professor - Drawing,
2006 -
2007 Lecturer - Drawing I and
II, Intermediate and Advanced Drawing, Watercolor I and II,
2006 -
2007 Senior Instructional Specialist - Painting,
2004 - 2006 Teaching Assistant - Drawing I and II, University of Wisconsin-Madison.
2002 - 2004
Arts Initiatives Project
Manager - Institute for Justice and Reconciliation,
2000 - 2002 Senior Instructor and Program Coordinator - Arts and Media Access Centre (formerly Community Arts Project), Cape Town, South Africa.
2001
Senior Instructor - Youth Art Camp,
1996
Teacher’s Assistant -
Awards, Honors and Fellowships
Vilas Graduate Travel Fellowship,
Kenneth D. Brown and Robert G. Kaentje
Painting Award,
Pleasant T.
Rowland Foundation Full Fellowship,
Edith L. Gilbertson Scholarship,
Exhibition History (*solo shows marked by asterisk)
2008
* Open Gestures: (re)Active Drawings, McMaster Gallery,
InterNational Drawing Annual (INDA) Exhibtion in Print,
Manifest Gallery,
Response to Fear,
Remedy, Gallery 180,
Sara Schneckloth & Barbara Campbell Thomas, University of the South,
64 Down - Works on Paper,
Five Points Arthouse,
The New American Art
Boom, www.artistswanted.org,
Gimme Baby Robots 2008 (Round I), Co-Prosperity Sphere,
Gimme Baby Robots 2008 (Round II), Vini Gallery,
Gimme Baby Robots 2008 (Round III),
Five Points Arthouse,
Gimme Baby Robots 2008 (Round IV), Echo Curio,
Gimme Baby Robots 2008 (Round V), IGLOO,
Gimme
Baby Robots 2008 (Round VI), The White Whale,
2007 Wisconsin
Triennial,
Collection, APT Space,
Pool, APT Space,
Contessa Says, Commonwealth Gallery,
Sara Schneckloth and Teresa Getty -
Tracks and Traces,
2006 Waterfall,
Mahan Gallery,
Art for Change,
Winnebago Studios,
Visualizing TRANS, The Ironworks,
Diasporic Art Practices, 734 Gallery,
Breaking the Habit, Old Convent, Plain, WI.
* Imagined Biologies,
* In Haptic Recall, MFA Thesis Exhibition, Mosse Humanities Building Gallery, UW-Madison.
* Two Sides to Every Story, UpTop Lounge &
Gallery,
Gimme Baby Robots II, One Ten Gallery,
Art in the Park,
Best Ever, Graduate Review Show, Mosse Humanities Building Gallery, UW-Madison.
2005 * Working from the Reliquary, MA Thesis, Mosse Humanities Building Gallery, UW-Madison.
Paint II, CitiArts Gallery,
Second Thoughts, Graduate Review Show, Mosse Humanities Building Gallery, UW-Madison.
Gimme Baby
Robots, One Ten Gallery,
I have an idea: Collaborative Ventures at VSC,
Waterfall,
2004 You Go First, Graduate Review Show, Mosse Humanities Building Gallery, UW-Madison.
Paint Related Materials, 202C Project Gallery,
Madison Area Open Art Studios, Art Beat Gallery,
2003
* 1/1,
Gallery Launch, Outside the Lines Gallery,
Madison Area Open Art Studios, Art Beat Gallery,
2002 *
Contained, A Woman's Touch,
Arts Night Out/Night Light, UW-Madison.
2001 Bits
and Pieces, Zem Gallery,
Soft Serve, South African National Gallery,
Close Cropped, CAP Gallery,
2000 Day
of the Dead,
Memorialization and Reparation, the Unfinished
Business of the TRC, Institute for
Justice and Reconciliation national conference,
1999 Annual
Group Exhibition,
Student Exhibition,
Model and Draw, Installation at Burning Man Arts Festival,
1998 * Suggestive Elements, 848 Community
Space,
Annual Group Exhibition,
1997 Annual
Juried Exhibition of Student Work,
Exhibition of Student Work,
Annual Group Exhibition,
Exhibitions Curated
2006 Visualizing TRANS,
Visual Culture Conference,
2005 I have an
idea: Collaborative Ventures at VSC,
2001 African
Metamorphosis, Community Arts Project Gallery,
CAP Graduate Exhibition, Baxter Theatre Complex,
Beating the Odds, benefit for Community Arts Project,
2000 Memorialization and Reparation, the Unfinished Business of the TRC, Institute for Justice and Reconciliation conference,
Questions of Identity, South African National Gallery,
Permanent Collections and Artist Registries
The
Irving Sandler Artist File,
Contemporary
Women Artists Files,
Select Publications
“Open Gestures: Materiality, Touch, and
Embodiment in Drawing,” invited paper, 2009 College Art Association Conference
(
“Marking Time, Figuring Space: Gesture and
the Embodied Moment,” Journal of Visual
Culture, Sage Publications (
“Speculating on a Nervous Line,” Manifest International Drawing Annual
(Cincinnati, OH: 2008).
Discovering
Others: A Creative Arts Resource Guide (
“Art and Expression: Balancing
Technique and Exploration,” Child and
Youth Care, Vol 18, No 8 (